Working with Artists to help make MUSIC & ART a sustainable career
If you’re looking for an artist who effortlessly bridges the gap between raw, honest confessionals and soaring, cinematic soundscapes, it’s time to get acquainted with Roo Elizabeth. This Irish artist, songwriter, and budding producer has been carving out a unique space in the alt/indie scene.
Her sound has been beautifully described as existing "somewhere between grit and wildflowers," suggesting a delicate yet powerful blend of styles. We took a deep dive into her journey, her inspiration, and what’s driving her forward and trust us, you’ll want to pay attention.
Roo Elizabeth splits her time between Galway and Dublin, but her roots stretch further, having grown up both in Laois and Sweden. She is active within the Irish music scene, performing shows across Dublin and at festivals around the country.
For many artists, the journey begins with an instrument, but for Roo, her first tool of self-expression was her own voice, followed closely by the guitar. This early focus on vocals speaks volumes about the emotional core of her music.
Roo Elizabeth's music firmly sits in the alternative and alt-indie space, characterized by strong melodic hooks and raw, confessional lyrics. The newer songs she is developing lean into a darker, more cinematic palette, yet always maintain intimacy at their core.
When you listen to her work, you’ll notice a signature blend: ethereal vocals mixed with intimate storytelling, often incorporating layered vocals and guitars. Her work manages to blend alt/indie sounds with writing that is both emotive and melodic.
What really sets Roo apart is her powerful thematic material. She isn’t afraid to delve into difficult, complex emotions, returning often to themes of Feminine Rage, Addiction, and Love. Her songwriting is heavily inspired by Irish lore, post-Catholic Ireland, and the broader feminine experience in the modern world.
In her lyrics, she explores vulnerability, inner conflict, and resilience. Her ultimate artistic mission is centered on telling honest, emotionally complex stories from an Irish, femme perspective. She strives to create spaces where vulnerability feels powerful rather than weak.
Where does this intensely personal creativity spring from? Roo Elizabeth feels most creative in a few specific, comforting locations: in her childhood bedroom, out at the bog, or by the ocean.
Her inspiration is not limited to music; she draws ideas from books, people watching in cities, and even sources like the TV show Grey’s Anatomy. Intriguingly, her fans play a direct role in shaping her choices: Roo posts many demos and snippets online, and the feedback she receives actively informs her creative process.
Roo’s diverse sound is clearly informed by a wide range of musical influences, stretching across genres and eras. The first artists and albums she fell in love with include Phoebe Bridgers' Punisher, Clairo, Greenday, McFly’s Motion in the Ocean, Jeff Buckley, Souixsie and the Banshees, and Adele.
These influences which span atmospheric indie, confessional singer-songwriters, and more experimental alternative acts, all feed into her writing and production choices today.
Roo has steadily built an impressive resume on the Irish music scene. She has opened for established Irish acts, including the very cool experience of opening for Mary Coughlan. She has also appeared at various Irish venues and festivals, including slots at Electric Picnic and Forest Fest. Another proud moment for the artist was performing recently at the IMMA for the Good Taste fashion show. Notable singles that have defined her journey so far include “Ready To Die,” “My Everything Great,” “Crazy,” and “Bad Dream”.
The excitement is building because Roo Elizabeth is currently hard at work on her debut EP! She wants listeners to take away a sense of catharsis, hoping they feel seen in their "messier emotions" and leave feeling inspired, energized, and fulfilled. If she could headline any venue in the world, the choice is the self-explanatory dream: Glastonbury.
Roo’s upcoming live performance includes a very exciting collaboration with the incredibly professional, kind, and creative Sinead Na Gig. They first met performing as Cowgirls. This unique collaboration, titled Mná Misneach, was inspired by Roo’s desire to mix performance mediums. Mná Misneach, meaning Women of Courage, personally represents the rise of Irish women in the global artist industry for Roo. During the show, her songs will be paired with contemporary and pole dance to physically express the emotional arc of the music, highlighting themes of female strength, softness, and courage. She even sees this powerful interdisciplinary partnership continuing into future projects.
If you want to experience Roo’s immersive shows which move dynamically from quiet, confessional moments to high-energy sections you absolutely need to catch her live at her upcoming performance on December 4th.
You can expect a captivating 45-minute opening set from Roo and her band, complete with Sinead’s live pole dance performance. Roo promises a bunch of new music and guarantees the audience a “wee boogie and headbang”. She even plans to share the story behind one of the songs, “Violets,” which was inspired by the current state of the world, war, violence, and our complicity in it. This isn't just a gig; it's a chance to immerse yourself in spontaneous creativity and support an artist telling complex, powerful stories. Don't miss this opportunity to feel seen, energized, and connected to one of Ireland’s most honest voices.
If you are a music lover curious about unfiltered collaboration, or just want to support this incredible community of artists, grab your tickets now:
DISCOUNT CODE: ROO (€2 OFF)
You can follow Roo's journey and check out her latest work online at her website rooelizabeth.com, or on Instagram at @_rooelizabeth and TikTok at @roo.elizabeth.
Come be a part of the magic at Fibber Magees Basement!
Welcome to a look behind the curtain at an artist whose life story is as inspiring and emotive as her performances: Sinéad na Gig. Her approach to movement is deeply human-centered, driven by a profound desire to communicate emotion and connect genuinely with her audience. Sinéad shares that she strives to perform in a way that gives others the permission to embrace their own sensuality and self-expression, entirely without shame. This passion for sincere connection defines her powerful artistic voice.
Sinéad na Gig is a true homebird, having been born and raised in Co. Wicklow and never having left for too long. She describes herself as not having been a dancer or sporty child growing up. Yet, even in her early years, the draw toward expressive movement was powerful.
She remembers watching the movie Showgirls late one night after everyone else had gone to bed, and she was absolutely mesmerized by it. Long before that, when she was very young, maybe five or six, she would seek out a fashion book her neighbor owned just to stare at one specific photo. The image was of a ballerina mid-air, performing a split, looking utterly lost in the moment. This memory, she believes, was her very first exposure to movement as a form of powerful expression.
Sinéad’s personal journey of self-expression was forged against a challenging cultural backdrop. She grew up within a culture deeply steeped in sexual shame. She was raised Catholic, receiving her baptism, confirmation, and communion, and she and her sister were among the first altar girls in her local Carmelite Church.
She explains that there was so much shame around pleasure and self-expression during her childhood. The religious organizations of Catholic Ireland hurt her family in many different ways, she notes. Despite meeting many amazing people within the Church, it required significant effort for her to learn to embrace her own sensuality and pleasure later in life.
Starting to dance allowed her to begin releasing the shame she held around her body and self-expression. Instead of shying away from movement, she started to fully embrace it. This difficult journey profoundly influenced her performance style, driving her mission to inspire others.
Before pole dance became her calling, Sinéad explored a number of diverse career paths. She has worked in retail and hospitality. She also spent time working in holistic massage. Additionally, she has experience working with children.
Her professional life also involved working as a trainer, both in a gym setting and within communities supporting older adults and people with disabilities. Sinéad studied Psychology, which led to her working corporate office jobs. Furthermore, she holds a degree in Sports Therapy.
Despite this breadth of experience, performing and teaching pole dance has always remained her favorite work. Pole is the place she goes to for both inspiration and to experience flow. For Sinéad, flow is the ultimate form of self-expression, meaning she is lost fully in what she is doing. She realized that pole dance was more than just a hobby when she started dancing exactly how she felt, moving as if no one was watching. She recognized and deeply felt how truly healing the practice was, sparking a desire to share that profound feeling with everyone she could. Watching people begin to embrace their bodies and self-expression while teaching pole is an incredibly rewarding experience for her.
Sinéad na Gig draws inspiration from artists who demonstrate immense strength alongside genuine vulnerability. The first dancer she truly fell in love with was Lisette Krol. Lisette’s unique way of moving and her strength completely blew Sinéad away. This inspired Sinéad to want to become stronger herself so that she could become a better dancer.
Another hugely admired dancer is Karamel Aura. Sinéad is greatly inspired by the way Karamel uses her own sensuality and actively encourages others to do the same. She also notes that Karamel Aura is simply an absolutely incredible dancer. Vulnerability in expression, whether it comes from music, dance, or other artistic creations, is deeply inspiring to Sinéad. Seeing others create and be vulnerable grants her the permission she needs to be vulnerable too.
For Sinéad, preparing a new concept is always an intensely personal and communicative process. A routine usually originates from where she is mentally or what she is actively processing at that specific moment in time. She is always trying to communicate something significant through her dance.
Her planning involves essential questions: What message am I trying to convey? What story am I telling? Who is this message for? Once the message is clear, she chooses music she feels most connected to, and she allows the music to take the lead in the choreographic process. When seeking creative input, she feels most inspired when walking in nature with her earphones in. Aside from this time outdoors, she is also highly creative when she is in the studio, dedicated to bringing her vision to life.
The creative path is rarely smooth, and Sinéad acknowledges that she faces creative blocks, fear, or self-doubt just like any artist. She believes she doesn’t truly “overcome” these feelings, but instead has learned vital management techniques. Her main tool is grounding herself in gratitude. She purposefully sits with the feeling of gratitude for the opportunity she has and for the capabilities of her own body.
When she feels stuck or nervous, she also envisions certain guides to whom she prays and asks for direction. The iconic artist Sinéad O’Connor often comes to her mind when she feels particularly doubtful or fearful. Sinéad understands that constant evolution is necessary if you wish to be great at what you do, meaning you must accept challenges and ‘no’s’. She moves forward by accepting that setbacks don’t diminish her worth as a performer. Even if failure occurs, giving one's best means learning something and walking away proud of the effort.
Sinéad na Gig describes her unique performance style as both dramatic and emotive. She feels things very deeply, and she tries to allow those feelings to move through her body and express themselves via her dance as much as possible. The central thematic focus in her routines is empowerment.
She intentionally incorporates displays of both vulnerability and strength within her choreography. She strives to demonstrate that these two qualities do not contradict each other, but rather that they naturally go hand in hand. A signature element of her performance is her dedication to telling a comprehensive story. She always aims to connect with the audience on a shared, emotive level. She works sensitively with the energy present in the room and engages with the audience energetically during her set.
Sinéad’s artistic journey has been marked by memorable moments that taught her powerful lessons. Her proudest moment on stage occurred when she collaborated with two traditional musicians, forming a group called the Siles na Jigs. They combined two forms of artistry from very different backgrounds to create something unique that felt magical. This felt especially significant because sensuality and sexual expression are not typically associated with traditional Irish music.
A major breakthrough performance arrived unexpectedly at a gig where ticket sales were poor and some performers had dropped out. Although there were not many people present in the room, Sinéad channeled a great deal of energy into her performance and gave 100%. After the show, a producer approached her, having loved her performance, and she soon became a regular performer for their show. This experience taught her a crucial lesson: it doesn't matter who is or is not in the room. By giving 100%, you can walk away proud of your effort, and you never know where amazing opportunities might come from or who might be watching.
Community and collaboration play a vital role in Sinéad’s creative life. She expresses a dream to collaborate with passionate, nice people, whether they specialize in dance, music, or other forms of creation. She currently engages with the pole and movement community both in person and online. She truly enjoys going to events and showcases, where she can watch others perform and support their artistic endeavors.
The audience, both in-person and online, significantly shapes her creative decisions. The specific energy in a room dictates how she portrays her performance and how she engages with the crowd. This might mean making more or less eye contact, or using bigger movements to hold attention, or perhaps holding back a bit more, all depending on the specific vibe. When it comes to teaching, she listens intently to what people struggle with and bases her teaching choices on what they need to learn.
Sinéad na Gig is continuously pushing her boundaries and planning new, inspiring projects. She currently has several performances lined up. Looking ahead to the new year, she is planning a special collaboration with a beautiful artist that centers on the important theme of climate justice. To expand her reach, she is also working on creating online classes that will offer people teachings at the click of a button.
In five years, she hopes to see her journey evolve to include much more collaboration, both on stage and online. Her ultimate dream performance would be held in an outdoor arena with beautiful music playing. She explains that performing in such a setting feels incredibly freeing and magical.
An exciting new chapter in Sinéad’s collaborative work is her upcoming project with the musician Roo Elizabeth. The two artists met at an event where Sinéad was dancing and Roo was singing, and they immediately got along, feeling as though they had known each other much longer than they had. The idea to collaborate on the Mná Misneach performance came from Roo, and Sinéad was instantly on board. Blending singing and pole performance is, in fact, her absolute favorite type of performance.
The title Mná Misneach, which means Women of Courage, holds deep personal significance for Sinéad. She attributes her character to her family, noting that she comes from a line of very strong women who have profoundly shaped who she is today. She emphasizes that Mná Misneach is her family, her biggest source of inspiration. Sinéad feels a lovely connection and synergy with Roo, noting they are very much on a similar page when making creative choices.
For this special performance, the audience should expect a routine where Sinéad allows Roo’s beautiful songwriting to tell the central story, with her dance powerfully emulating that narrative. She felt such strong emotions listening to Roo’s songs that she almost knew the setlist before it was sent to her, signifying a strong connection. The performance’s thematic core will be stripping away different layers of the masks we wear. Ultimately, they hope the audience leaves feeling inspired and having experienced the raw emotion of their combined art forms. Sinéad is excited about the future, hinting that she can definitely think of some cool things they could do together next.
When asked about the ultimate impact she hopes to make, Sinéad na Gig returns to the theme of empowerment. Since she was a shy and non-sporty child, she genuinely hopes people take away a profound sense of confidence from her performances. Her message is clear: If she can get up on stage and do this, then the audience can go and have that hard conversation or take that necessary risk in their own lives.
Her artistic expression aims to communicate a vital truth: You deserve to be able to enjoy and express your sensual self. This freedom doesn't have to manifest on a stage; she stresses that it can simply be found in your own kitchen. She is a firm believer that dance equals freedom and connection. While she loves attention-grabbing moments and big tricks—which will always be part of her performances—she consistently allows the guiding force of the story and how it truly feels to lead her creative choices.
In a life so dedicated to energetic expression, Sinéad finds balance through quiet, grounding passions. Nature is a profound source of inspiration for her. It reminds her that there is a deep beauty inherent just in existing. Nature teaches her that she doesn't always have to be "doing the most" in order to create beauty.
Her daily rituals include meditation and walking, which keep her mentally and physically grounded. To recharge after intense training sessions or major performances, she makes sure to get outside and spend time walking. She focuses on really paying attention to what she sees, noting that bird watching is one of the best ways to practice this mindful observation.
Sinéad na Gig’s performances are genuine acts of emotional storytelling, blending powerful strength with honest vulnerability. If you want to witness this magnetic performer share her heart and her art, you have a unique opportunity coming up! Sinéad and Roo Elizabeth, along with Roo’s band, are preparing to deliver the stunning Mná Misneach routine, a powerful blend of melody and movement that is sure to leave you inspired.
After their set, the evening turns into a vibrant, community-driven open jam where musicians and music lovers come together to create spontaneous, unfiltered magic. This is your chance to soak in an incredibly relaxed, artsy evening of creativity, connection, and raw emotion. Whether you are a musician seeking to jam freely or a music lover eager to support this community of dedicated artists, this event is a musical playground you won't hear again the same way. It’s an intimate setting where barriers between genres break down, and creativity flows freely. Come support Sinéad na Gig as she brings her message of empowerment to the stage at Fibber Magees Basement on 4th December, starting at 8 PM. You’ll be part of a living, breathing musical moment.
DISCOUNT CODE: SINEAD (€2 OFF)
Tickets for general attendees are only €10, making this an accessible way to experience world-class, heartfelt artistry and contribute directly to the artist community. Don't miss the chance to be inspired by Mná Misneach and the powerful, genuine connection Sinéad na Gig shares with her audience.
Welcome back to the blog, music lovers! Today, we're diving deep into the story of a Dublin band that's quickly becoming synonymous with authentic, hook-laden rock and roll: Pedestrian Traffic. Though they only came together recently in October 2024, to be exact this group brings decades of shared history and musical passion to the table, culminating in a sound that promises pure enjoyment. Let’s meet the lads and find out what makes their sound tick.
The story of Pedestrian Traffic began, as many great rock stories do, years before the band officially formed. The core of the group consists of childhood friends, Shane Smith and Geoff Dunne. After years of friendship, the duo started songwriting together. It was only after this period of development that they decided to formally create a band and start making albums. That decision was solidified during a casual chat that the band describes simply as a "Drunken Conversation", a moment that clearly laid the groundwork for their collective musical journey.
Pedestrian Traffic is defined by its four members: Shane Smith handles Lead Guitar and Vocals, Geoff Dunne is on Rhythm Guitar and Vocals, Derek Brien holds down the Bass Guitar, and Graham Kane drives the rhythm on Drums. When you consider where this energy comes from, it’s worth noting their shared roots. All four members grew up together in Ballymun, a place whose specific history and spirit still influence their music.
When asked about the childhood memories and family influences that still resonate in their collective sound, two massive names emerged: Oasis & Stone Roses. But the inspiration doesn't stop there. The group cites a wide range of musical legends they have brought into the group’s attention, including The Beatles, David Bowie, and Bob Marley. These powerful influences help define their collective sound, which the band succinctly describes as Rock N Roll. Their energy and authentic Dublin rock vibes have already lit up stages at venues like Darkey Kelly’s and Bradys Pub.
Before hitting the bigger stages, every band needs a place to hammer out the kinks. For Pedestrian Traffic, those breakthrough moments happened in the most grassroots setting possible: rehearsals in a shed in Ballymun. This early environment helped them hone their raw sound and develop the necessary chemistry.
So, how does this Rock N Roll sound come to life? The band keeps their creative process refreshingly simple. When asked to walk through how a song goes from first idea to finished track, they respond with the straightforward phrase: "Its Just Happens". Collaboration is key, even when disagreements arise. They balance their individual ideas with the band's overall vision by making sure to "Listen To Each Other". And for those inevitable creative differences? They have a clear policy: "We Agree To Disagree".
Despite their relatively recent formation date in late 2024, Pedestrian Traffic has already achieved significant milestones. Their proudest moment together so far is Creating an Album, showing that their early motivation to "make albums" is now bearing fruit. The release or performance that served as a "turning point" for the band was the single "Sister Mysterious", a standout track also noted alongside "Sunset" for defining their dynamic energy.
What keeps the members of Pedestrian Traffic grounded when they’re not plugging in? Their passions outside of music are primarily Football & Art. These external interests feed back into their collective creativity. While the band doesn't address specific causes or themes through their art, their overarching message is clear: they hope their music conveys Enjoyment.
Pedestrian Traffic understands the importance of fan engagement. They connect with their local and online community primarily through Spotify, and they actively welcome influence from their audience. Their fans shape their creative direction through "There Listening And Feedback".
Currently, the band is intensely focused on their ongoing project: An Album. Looking five years down the line, their primary goal isn't world domination or complex sonic experimentation—it’s simply to Still Together. However, they definitely have grand aspirations for the future. If they could headline any venue together, they would choose The 3 Arena.
Pedestrian Traffic is preparing to deliver a set that promises a "Rock.N Roll Melodic Experience". This is your chance to catch them live and witness the energy that comes from years of friendship refined into authentic rock. The band has promised to share a specific story about the song "DTA," which focuses on their experiences Growing Up In Ballymun Flats, offering a personal glimpse into their roots.
Don't miss the opportunity to support these rising Dublin artists. The band will be performing their explosive set at the upcoming Out of Order event, happening on Thursday, 2 October 2025, in the intimate, underground setting of the Fibber Magees Basement, Dublin 1. If you want to experience powerful hooks, dynamic energy, and pure, unfiltered Dublin rock and roll, grab your tickets now. Come be part of Dublin’s vibrant grassroots music community and witness the passion that Shane, Geoff, Derek, and Graham bring to the stage. This is authentic rock and roll you need to see live.
You can stay connected with Pedestrian Traffic via their Facebook and Insta pages. Grab your General Admission tickets for just €8 + Booking Fee, or arrive early for the Early Bird special, and support the next great wave of Dublin music!
If you're searching for an artist who effortlessly blends soaring 2000s rock grandeur with genuinely intimate, heartfelt lyrics, look no further than ARREN. This Dublin-based artist is making serious waves, channeling deep emotion into music that he aims to make both cinematic and powerful. We caught up with ARREN to delve into his influences, his unique creative process, and what it took to turn a fun hobby into a professional passion.
How do you describe a sound that feels familiar yet entirely fresh? ARREN sums it up as generally pop-rock with hints of folk. He strives for music that is defined as hopeful, emotional, cinematic, and powerful, often carrying a bittersweet undertone. Furthermore, his sound draws on the grandeur of 90s and 2000s rock, underpinned by deeply intimate storytelling.
ARREN’s listening history reveals a diverse palette that clearly informs his songwriting. He grew up immersed in the sounds of U2, Elvis, and James Blunt, and he admits that their influence remains present in his sound on a subconscious level. As he developed, he found massive inspiration in acts like Mumford and Sons, James Bay, and Twenty One Pilots, drawing specifically from them for melody, instrumentation, themes, and lyrics. He also harbors a love for Americana artists, mentioning Tom Waits, and American rock groups such as Motherfolk and The Tragic Thrills.
When it comes to creating, ARREN has a clear and defined process. The melody is king, and it comes first, without exception. Only once the melody is established does he tackle the lyrics. The overall structure of the song then falls into place once the verses or choruses have been found.
For the physical and mental space where creativity thrives, ARREN has found a surprisingly effective sanctuary: traveling in his car. He notes that he gets a lot of inspiration on the road. This wanderlust is aided by his videography work, which naturally takes him all around Ireland. If he hits a creative wall, he has a simple philosophy: "Write shit," believing that through the less-than-stellar output, something good will eventually emerge.
One of the most distinctive elements that makes ARREN’s music uniquely his is his vocal style. He typically layers his main vocal track with a falsetto track. Because he possesses a wide falsetto range, he makes use of multiple octaves of falsetto when recording.
It’s important to note that, currently, ARREN’s main source of income is actually videography, a career he pursued after studying filmmaking in college. However, he makes his priorities clear: he would "rather let music get in the way of film than film get in the way of music". This videography expertise feeds directly back into his music, as he produces his own acoustic sessions, music videos, social content, and photoshoots.
ARREN has already racked up some serious highlights. In the studio, his proudest moment has been recording his upcoming debut album, titled Dark Earth. On stage, his Whelan’s Upstairs show in June stands out.
A significant breakthrough came with the release of ‘It Takes One to Know’ in July 2024, complete with a music video. This was the track that successfully pulled him out of a hiatus and back into music as a profession. He put immense effort into the promotion and was pleased with the resulting coverage, including music blogs, radio play, and playlisting.
He acknowledges that promoting music inevitably involves facing "no’s and no replies". However, ARREN views this as simply part of the business, refusing to let it affect him, noting that a lack of reply doesn't necessarily mean a rejection anyway.
Looking ahead, ARREN is busy working on video content for the singles from his forthcoming debut album, Dark Earth, and he continues to write constantly. Within the next five years, he envisions having released his debut album, and having a second album in the pipeline. Ultimately, he dreams of establishing contacts with bigger names in the industry, collaborating with them, and building a dedicated following large enough to sell out a big room. His current ultimate venue goal? The beautiful Olympia Theatre.
When listening to ARREN’s work, the themes you’ll encounter most frequently include hope, love, loss, depression, nostalgia, lust, travel, and self-discovery. He is transparent about addressing social and personal issues like anxiety, loss, and depression through his art. His core message is simple: he hopes listeners walk away feeling seen, heard, and, most importantly, hopeful.
ARREN notes that the power of music is its ability to channel negativity into a medium where it can be processed. This depth is contrasted with his personal disposition, as he emphasizes that while he may write sad songs, he is still a "positive, happy and funny person regardless".
If you want to experience the emotional and cinematic sound of ARREN in person, you have an incredible chance coming up. When performing live, you can expect a selection of upbeat songs mixed with softer, more intimate tracks that ARREN hopes will resonate deeply with the audience.
He is slated to play his latest release, ‘Broken,’ a song specifically about the community found in depression and the shared realization that even when things aren’t great, "we are all in this together". He says if the song hits home for even one person in the audience, it has achieved its goal.
And here’s a major reason to be there: ARREN has a special surprise planned—he will be announcing an upcoming single at the show!
Don't miss this opportunity to see one of Dublin’s most promising pop-rock artists and hear the stories behind his upcoming debut album, Dark Earth. Come support ARREN on Thursday, 2 October 2025, in the iconic Fibber Magees Basement, Dublin 1. Grab your tickets now and be part of the vibrant grassroots music community!
You can follow ARREN’s journey and keep up with new releases via his website, www.arrenmusic.com, or on Instagram @arrenmusic.
We recently sat down with Almera, North Dublin’s rapidly rising indie rock outfit, who are known for bringing a dynamic, fresh sound shaped by their journey through Dublin venues like The Soundhouse and Whelan’s. From subtle working-class lyrical themes to an ambitious goal of landing a track in FIFA, this band is determined to make some noise. We dug into their roots, creative process, and why they believe their current lineup is the one they need.
The story of Almera’s name is a great piece of local trivia. It was inspired by the show Hardy Bucks; specifically, the group of lads who hung around outside the pub known as the "Almera boys". The band initially went by the name "The Almeras" before shortening it to the crisp, final version: Almera.
The lineup driving this distinctive sound includes Brian on lead vocals and rhythm guitar, Aaron on drums, Froilan handling bass and backing vocals, and Darragh on lead guitar. They first coalesced as a band about a year or two ago after attending a gig, seeing "late night pharmacy" playing upstairs in Whelan's.
For the lead singer, the music scene early on wasn't particularly appealing, noting there was "way too much American influence". It wasn't until discovering bands like Oasis, Stone Roses, Arctic Monkeys, and Kasabian that they realized music could feel more authentic and local. Interestingly, despite this Britpop leaning, they admit their biggest influence ultimately ended up being The Strokes.
The band’s shared roots run deep into classic rock and indie history. When the singer was around 10, their uncle loaded their first iPod nano with CDs, including RHCP, Nirvana's Nevermind, The Killers, REM, and Arctic Monkeys' Whatever People Say I Am, That’s What I’m Not. Crucially, the sounds of The Verve, Oasis, and Ocean Colour Scene were frequently played by the singer's mother in the car. As for first instruments, the lead singer started out on the tin whistle.
While the band came together after being inspired by a gig in Whelans, the true "defining moment" for Almera came when the lead singer heard drummer Aaron’s contribution for the first time. The complexity and energy of Aaron’s drumming added so much to the existing songs that it truly helped define the Almera sound.
Early on, there was an unmistakable breakthrough moment: the day they wrote the track "homonculous". It "slapped so hard" that the band knew right then that their journey was "only uphill from now on".
How does an Almera track actually come together? The lead singer typically tries to create the "bones" of the song using an acoustic guitar, often starting with an interesting vocal melody or riff. They find it easier to write a song fully from start to finish on acoustic guitar or keyboard before bringing the concept to the rest of the group. In fact, the chorus melody to one of their songs literally came to the singer in a dream, requiring them to “painfully sing the idea” into their phone while hungover before it disappeared.
While they prefer writing solo initially, the band dynamic is crucial. The writer loves getting suggestions from other members and usually goes with them nine times out of ten. They strongly believe a musician should "own their individual contributions" to every track. Often, a song that the writer considers throwing away is transformed by the full band, leaving them amazed at the final result.
Almera’s collective sound isn't tied to a specific genre; instead, they pride themselves on the mixing of genres, which solidifies their distinctive style. The sound is described as the culmination of influences brought in by each member.
Sonically, they often utilize a signature arrangement: a highly rhythmic verse buildup featuring just the drum and bass in the first half. This deliberate space allows the "long sweated over lyrics room to breathe" before the guitars finally burst in for an "explosive chorus". Lyrically, the dominating themes are similar to how Van from Catfish and the Bottlemen described his work: "scruffy love songs". There is also a subtle, implied working-class theme present in the lyrics, though they avoid making it too explicit.
The journey hasn't been without its bumps. Like many bands, Almera has had to play to quiet rooms, deal with difficult members who quit, and suffer through under-rehearsed sets. However, they view these experiences as "necessary learning experiences and fuel to the fire".
A major internal setback occurred when their previous bass player, Ciaran, quit. This was a massive hurdle, as he "really kept things on the straight and narrow". Thankfully, Froilan has stepped up and picked things up so well that the band believes they now have the lineup they need.
Almera has enjoyed some major milestones already. Every gig is considered a proud moment, but one particular highlight was their last independently set up gig, which sold out incredibly quickly. It was described as a spectacular night featuring "incredible live acts opening".
The band identifies the release of their first single, "Weapons," as a crucial turning point. Getting featured in Hot Press after its release truly made the experience "feel real". Fans will also recognize them for their song "Winona".
So, what's next? Almera is currently deep into crafting their next batch of releases. An EP is definitely on the way soon, after which they will begin the substantial work on their full album.
In terms of long-term goals, Almera has their sights set high—literally. Their ultimate five-year goal is to have one of their songs included in the FIFA soundtrack. If they could headline any venue or festival in the world, the dream venue they’ve spent their life dreaming of is Glastonbury.
Beyond their own projects, the band remains dedicated to Dublin’s vibrant music scene. The lead singer ensures they go to gigs, talking to bands and aiming to get a taste of "everything that's going on in dublin," often just dropping into Whelans or Fibbers on any given night.
In terms of external influences, the band is collectively drawn to the same things. Recently, they’ve been bringing in a lot of material from Blossoms and The Coral. In fact, they specifically namedrop James from The Coral (who produces Blossoms’ songs) as the person they would most love to work with. They are also currently enjoying the "kneecap wave". Non-musically, the political themes found in Orwell’s work, particularly the implied working-class aspects (though the realities are different), always remain relevant to their inspiration.
The collective message they hope their music conveys is less about describing things and more about evoking feeling. They want people to feel the same way the singer felt when they heard "12:51" by The Strokes when they were 16. They manage to balance pure entertainment with deeper commentary, noting that their song “anaesthetic,” for instance, features a very dark story masked by a really upbeat pop sound.
If you’re ready to experience this blend of explosive energy and deeply felt lyrics, you need to catch Almera live.
They promise that audiences can expect the "same incredible energy as every almera show" at their upcoming gig. They will be performing on Thursday, 2 October 2025 in Dublin. While they might have dark stories behind some tracks (like "anaesthetic"), the band prefers to leave controversial backstories up to the audience to figure out rather than sharing them onstage.
This is your chance to discover Dublin’s finest indie/rock acts and connect with the vibrant grassroots community in an intimate underground setting. Don't miss the chance to support one of North Dublin’s most exciting live acts.
Grab your tickets now, bring your friends, and make sure you’re there to witness Almera bring their distinctive sound and incredible energy to the stage.
You can stay connected with the band and follow their journey toward that FIFA goal on their primary social channel, Instagram, @almera_band
At just 19 years old, Brinda is not merely an artist; she is a force of nature; a musician, singer-songwriter, and producer hailing from Laois, Ireland. Her journey is a compelling tapestry woven from diverse cultural threads, a defiant spirit, and an unwavering commitment to authenticity, all of which contribute to a unique artistic identity perfectly suited for those who appreciate genre-bending ingenuity and a robust independent ethos.
The genesis of Brinda’s musical path is a testament to her inherent resilience and a playful inclination to "prove people wrong". Her first encounter with music at age six, through piano lessons, was met with such profound disinterest that her teacher famously declared, "there’s no point, music isn’t for her".
Yet, in a twist of fate that would define her approach, Brinda immediately found she could play by ear instantly. This innate ability, a raw, intuitive connection to sound, remains her primary method of learning music to this day. It’s a foundational anecdote that speaks volumes about her self-driven nature and the power of internal conviction over external judgment.
Brinda’s background has profoundly shaped her expansive musical outlook. Growing up Indian in Ireland, with heritage stretching across multiple states in India, and constantly exposed to music from every corner of the globe, she developed a worldview where "music had no barriers". This rich tapestry of influences allowed her to absorb everything indiscriminately; from the intricate nuances of classical melodies and poetic expressions to the dynamic rhythms of modern pop.
Her early inspirations included artists like Queen, Amy Winehouse, and Arijit Singh. This fearless assimilation of diverse styles is a hallmark of artists who thrive outside conventional boxes, a characteristic that resonates deeply with the independent spirit of the underground music community.
Indeed, music’s pull was so strong that it diverted Brinda from an entirely different career trajectory. She once envisioned a path in medicine, a stark contrast to her current artistic life, but ultimately, "music pulled me back — life is too short not to follow what you love". This decision underscores a dedication to passion and purpose, a conviction that often drives artists who dare to forge their own way.
Her songwriting process itself is a reflection of her thoughtful and strategic approach. Brinda often begins with a "bubble map," centering a theme and then branching out with associated words, colors, emotions, and even sounds. From this rich ideation, a melody takes shape, though she occasionally reverses the process, allowing a melody to emerge first.
Within her lyrics, she frequently returns to powerful and universal themes of "love and empowerment", offering listeners a source of connection and catharsis. This deliberate construction of narrative and emotion ensures a depth that transcends fleeting trends, a quality valued by audiences seeking more than just superficial entertainment.
For Brinda, creativity blossoms in solitude and stillness. She finds herself "most creative when I’m alone at night, when the world is quiet and I can sit with my thoughts". This introspective environment is crucial not only for inspiration but also for navigating the inevitable challenges of the artistic journey. Writer’s block and self-doubt are normal, she acknowledges, but her antidote lies in "authenticity — showing your real self in your craft instead of curating a persona".
This unwavering commitment to genuine expression is a powerful tenet that aligns perfectly with the raw, unfiltered ethos often celebrated in alternative and underground scenes. Beyond musical notes, Brinda draws inspiration from "films and conversations... especially seeing how people view and experience the world", demonstrating a keen observation of humanity that feeds into her art.
A significant aspect of Brinda’s artistic identity, and one that resonates strongly with a DIY, independent spirit, is her role as a producer of her own music. This hands-on approach means she can "place every tiny detail exactly where I want it, which is really exciting — though I’m always learning more every day". This level of control over her sound ensures that her artistic vision is realized with precision and integrity, a characteristic often found in artists who are pushing boundaries and shaping distinct sonic identities.
Her journey has already included significant milestones. Among her proudest moments was her performance at Electric Picnic 2024 on the Three Music stage, an experience where the "whole experience, energy from the band and the audience was unforgettable". Another "surprising gig" was opening for Chandan Shetty at the Button Factory in March 2025, where the crowd’s fervent participation, "singing their hearts out with us," created an "electric" atmosphere.
These early successes highlight her captivating stage presence and ability to forge an immediate connection with an audience. Yet, Brinda has also learned crucial lessons, particularly the importance of clarifying "rights and credits before collaborations," a practical wisdom gained from navigating the collaborative landscape to prevent others from taking "far more than their share".
Brinda’s artistic community is expansive, both in aspiration and practice. Her dream collaborators span a wide spectrum of genres and eras, including Ed Sheeran, Bruno Mars, Zayn, Selena Gomez, Childish Gambino, FINNEAS, Billie Eilish, The 1975, A.R. Rahman, Arijit Singh, Macklemore, Hozier, Lady Gaga, and Sage the Gemini. This diverse list underscores her boundless appreciation for artistry and her genre-fluid sensibility.
She deeply values collaboration, stating, "I do love working with people and bouncing ideas around — it’s amazing how different perspectives can shape a song and opens up new ways to personally improve!". This community-driven approach to creation, embracing varied viewpoints, is yet another facet of her independent spirit.
Currently, Brinda is immersed in producing and preparing to release her first single. This upcoming release is particularly exciting, as it ventures "outside my usual comfort zone," a deliberate choice she embraces precisely for that reason. It’s an indication of an artist constantly evolving and challenging her own artistic boundaries, a trait that will undoubtedly captivate audiences eager for innovation.
Beyond the studio, Brinda maintains a vibrant life, embracing passions such as dancing, swimming, gymnastics, horse riding, rock climbing, and badminton. After intense creative periods, she recharges by "going on hikes in peaceful areas", finding solace and rejuvenation in nature. She hopes listeners will connect with her music and find it cathartic.
For those eager to experience Brinda live, an upcoming performance at Out of Order Vol 5 promises to be a showcase of her captivating artistry. This unmissable night of live music, presented by Tune Hoppers, takes place on Thursday, 4 September 2025, in the iconic Fibber Magees Basement, Dublin 1. Brinda, described as a singer-songwriter and producer from County Laois, is a festival performer (Electric Picnic), known for viral covers and original tracks, and a winner of A New Local Hero.
The event kicks off with doors opening at 7:30 PM, followed by an open mic session from 8:00–9:00 PM, and featured artists, including Brinda, performing from 9:00 PM until late. This is an over 18 event, so ID will be required. Tickets are available at €5 for Early Bird, €8 for General Admission, and open mic supporters can enjoy free entry to the main event after 9:00 PM. Attendees can expect to discover new Irish artists, enjoy a mix of genres including singer-songwriter, indie, rock, alternative, and electronic music, and connect with Dublin’s vibrant music community.
While the specific setlist details are not provided, audiences can undoubtedly expect a performance that embodies her authentic spirit, genre-fluid approach, and powerful themes of love and empowerment. Her ability to connect deeply, as evidenced by her past Electric Picnic and Button Factory gigs, suggests a performance that will be both energetic and cathartic, leaving listeners with a profound sense of connection. Her independent production style ensures every note and lyric will be delivered with her unique, meticulous vision, offering a truly personal and engaging experience.
Don't miss the chance to witness Brinda's evolving sound and defiant spirit live at Out of Order Vol 5. You can follow her journey and stay updated on her releases on Instagram at @iranibrinda, YouTube and TikTok at Brinda Irani, or her website brindairani.com. A Spotify artist account will be live soon, with updates posted across her social channels. Immerse yourself in the music of an artist who is not just making sounds, but crafting narratives and forging connections, one authentic note at a time.
In the vibrant, sometimes chaotic, heart of Dublin's live music landscape, a band called Sundo is carving out a niche with a sound as diverse and dynamic as its members' origins. Sundo isn't just a band; it's a convergence of global influences, a testament to the power of shared musical passion, and a beacon for the high-energy, heavy rock and grunge ethos.
From the thrash metal scenes of Paraguay to the eclectic sounds of Brazil, the classical rock obsession of a globe-trotting vocalist, and the indie-tinged rock sensibilities of a North Dublin bassist, Sundo embodies a compelling narrative of how disparate paths can lead to a unified, powerful sonic identity.
As they prepare to unleash their "loud and high energy" performance at Out of Order Vol. 5, presented by Tune Hoppers at the iconic Fibber Magees Basement, it's clear that Sundo is more than just an emerging act—they are a story waiting to be heard, felt, and experienced.
Every band has an origin story, and Sundo's is uniquely pragmatic yet serendipitous. The name itself, now synonymous with their "raw energy", came about almost by accident. "Originally, our name was Sundown, but we were not 100% convinced of the name," recalls the band.
The shift to Sundo happened during a mundane task: setting up an app to calculate the split of rehearsal costs. "We named ourselves Sundo there. We’ve stuck with that name until now". This unpretentious beginning hints at the band's down-to-earth approach, where the music itself takes precedence over elaborate branding.
The seeds of Sundo were sown when Carlos, a guitarist with a rich musical history, connected with Gleb, a vocalist whose powerful range and love for classic rock would become a cornerstone of their sound. "I met Gleb through some mutual friends. He mentioned he enjoys singing at karaoke places," Carlos recounts.
Their shared love for certain bands and songs immediately clicked, leading to an agreement to jam. Gleb swiftly brought in other musicians, Artur on drums and Felipe on bass, and around June 2023, the initial iteration of Sundo began to rehearse, diving into covers of beloved bands.
What truly distinguishes Sundo is the rich tapestry of its members' individual histories and cultural backgrounds, each thread contributing to the band's distinctive sound.
Carlos, the band's guitarist, hails from a small city in the south of Paraguay, where his musical journey began on classical guitar before moving to bass and then electric guitar. "I got my first electric guitar after a few years and at about 19 I moved to the capital and joined a thrash metal band called The Force," he shares.
The Force quickly gained notoriety in the Paraguayan metal scene, releasing a couple of albums. Carlos's experience in that intense environment, combined with later jams of classic repertoire, instilled in him a deep appreciation for Classic Rock, particularly Thin Lizzy, a band Sundo now enjoys covering. His move to Ireland in 2022 eventually set the stage for Sundo's formation.
Gleb, the formidable vocalist, brings a truly international perspective, having grown up across Estonia, Russia, the USA, and Ireland. His musical palate was broad from an early age, encompassing pop, techno, and rap, but eventually, "grew to obsess over classic rock especially". He speaks with reverence for vocalists like Freddie Mercury and Jeff Buckley, noting, "The memory of Freddie’s voice still makes arenas light up in unison with chants of 'we are the champions'. And Jeff can express limitless emotion which just keeps blowing my mind".
Gleb's earliest musical memory is a poignant one: "My dad whipped out some traditional jolly tunes on the accordion and started singing. I was amazed and quickly forgot that I was sick and the pain disappeared. It was magic". This early exposure to music's transformative power, coupled with his parents' constant encouragement, deeply shaped his connection to sound.
Hannah, the band's bassist, is North Dublin born and raised, grounding Sundo in local grit and a wide-ranging appreciation for music. "I’ve been playing instruments since I was a young child. I grew up surrounded by music and my influences are wide-ranging – I listen to everything from indie to R’n’B, folk, rap, funk to shoegaze," she explains.
Hannah’s rock roots run deep, heavily influenced by her father's choice of car music. "My dad used to play bands like Pixies and Dinosaur Jr. in the car when I was younger... I’ve been a rock fan since I was a kid and hopefully that comes across in my playing with Sundo!". Her multi-instrumental prowess (guitar, songwriting, bass, drums, keys, mandolin) makes her an invaluable asset.
Artur, known as Tuta on drums, hails from Brazil, a country renowned for its diverse musical landscape. "The music scene is very diverse and so I had the chance to be exposed to plenty of different stuff," Tuta notes. He started playing drums at 11, inspired by Charles Gavin and Phil Collins, but quickly "fell right into the Ramones as soon as I caught the sticks".
His uncle’s influence in jamming with friends and family has been a constant, leading him to discover new bands and albums. Tuta’s childhood memories of playing with his brother, who was "demanding as shit," still resonate, pushing him to strive for excellence in his drumming.
Sundo's journey wasn't without its early challenges. After their initial rehearsals in mid-2023, the end of that year and early 2024 saw a period of decreased activity. "We weren’t very active, and after a couple of more rehearsals we parted ways with Felipe our bass player and that’s where the second part of our history started," the band states. This was a "hardest moment," especially given Felipe's enthusiasm. However, "musically, he was in a different place and not as committed to the project as the other three," necessitating a difficult but crucial decision to move forward.
This period led to a "soft relaunch," a time for introspection and realignment of their collective goals. Luckily, Carlos's discovery of Beardfire Studios proved to be a turning point. The band decided to join Beardfire's MyBand programme, seeking guidance to "gain a better sense of direction and refine our sound". This strategic move proved instrumental in shaping their future.
It was through the MyBand programme that Sundo found their missing piece: Hannah. Initially serving as an in-house mentor and supporting them on bass, Hannah's "invaluable guidance" helped them develop their identity. Her skills as a multi-instrumentalist allowed her to "pinpoint areas needing adjustment, to advise".
The connection was undeniable, and after a period of seeking a new bassist, the band found the courage to ask Hannah to join permanently. "Upon meeting Hannah in late 2024, our lineup was complete," they confirm. Hannah's perspective on joining was immediate: "When these guys asked me if I wanted to keep jamming with them there was no question. I love playing in this band, love our sound and love the guys".
The decision to make music together as a band, rather than pursuing solo projects, is a shared conviction within Sundo. Carlos expresses, "The music I want to play often involves a band situation". Gleb adds, "Making music means someone has got to hear it.
A band scenario is the best for that". Tuta eloquently describes the unique bond: "I cannot think of anything similar to playing with other people. It’s a unique connection that allows us to have a glimpse of something much bigger than ourselves. 'Getting in the groove' makes so much sense once you are in there".
These collective aspirations quickly led to significant breakthroughs. "Definitely, our breakthrough was our first concert at the MyBand showcase," the band recalls. "We were delighted with how the audience reacted to our performance, and we were left with the will to keep going and play more music". I think that was our first milestone as a band and individually.”
It’s the first time we performed as a unit, and it felt great," they explain, noting that their "consistent effort... paid off," building their confidence to perform more. A particularly proud moment for the band is "Surprising ourselves sometimes that the first time we play a song together, we get it right. Later rehearsal just focused on catching up to that first take".
So, what does Sundo sound like? The band describes their collective sound as "Loud and high energy. We are drawn to heavy riffs and heavier grooves". Their signature isn't about complex arrangements or production tricks, but rather a visceral approach: "Everything max loud, raw energy, love for music".
At their core, Sundo is currently a cover band, with everyone suggesting songs that fit their style, which they then develop. However, the prospect of original material is exciting: "We do have originals loosely in the works, which is exciting as we have 4 very creative minds in the band".Their lyrical themes, even in their nascent original compositions, suggest a depth beyond typical rock anthems.
They speak of lyrics "coming from an ethereal unknown place communicating from its perspective," alongside themes of "a rush, a pace, a crackhouse of grunge with a good craic, about dynamics of relationships, uncertainties and fears. About moving on in stride and breaking free". The trick, they say, "is not to butcher them, each song makes its own statement". When it comes to creative decisions, the band generally sees "eye to eye".
Sundo's influences are as eclectic as their members. A foundational inspiration in their early days was Alice in Chains, with Carlos even using a Jerry Cantrell signature guitar. Gleb notes that the band has "leaned into every aspect of classic rock and grunge and we are discussing which modern pop songs can be rearranged into rock". This willingness to blend genres speaks to their open-minded approach to sound.
Beyond existing artists, the band envisions future collaborations that could further expand their sonic palette. Tuta, the drummer, expresses a desire to "have an awesome keyboard player like Thijs van Leer to shake things up as a mentor, and show us a whole different world of sound". He also dreams of "Playing a Nação Zumbi song with a Maracatu drumming group", highlighting his deep connection to Brazilian musical heritage.
The band's collective message, inspired by Alice in Chains' "Drone," is "Not quite Dark, not quite light". Gleb elaborates, "To play heavy or dark music with a delicate presence. Add more dynamism and power to lighter songs". Hannah adds that the band shares "many common values and it would be interesting to explore this in our lyric themes".
Ultimately, for Sundo, music is an "attempt to communicate something that is ultimately silent. Something present subjectively in one's mind and present it as an intersubjective tribute, an offering to something that can be heard, seen and felt. A collective journey". This profound view underpins their commitment to deep immersion in sound.
Sundo has ambitious plans for the future. Currently, they are "working gradually on our songs, recording them, and then we can start releasing singles, which is the idea". Looking five years down the line, they hope to "probably have our first records, singles released and why not a tour in Ireland, UK and possibly other countries".
Their dreams extend to the biggest stages in the world. Gleb unequivocally names Glastonbury as a festival he'd love to headline. Tuta, ever sentimental, chooses "the obvious Rock in Rio" and cherishes the thought of playing a slot on the "24h Band Marathon" that happened in his hometown, which he was too young to participate in as a child. These aspirations reflect a band that, despite its humble beginnings, dares to dream big.
Life beyond the stage involves group rituals that keep them grounded. "We love to go and grab something to eat whenever we can or enjoy some pints in the closest pub," they share. In a particularly memorable instance, Tuta, also a cook, "prepared a beautiful rendition of a classic dish from Carlo’s country, Paraguay," bringing their diverse backgrounds full circle.
While acknowledging they currently engage "poorly" with their local and online music community, Sundo is keen to change that, intending to "engage more in the background and figure out a release direction". For now, they are trying to "please our buddies and partners" in terms of how fans influence their creative direction, but are open to seeing how that evolves.
For those eager to connect, Sundo is readily accessible on Instagram and YouTube under the handle @Sundo_Band. "We are very open to having a chat about anything, feel free to reach out to our page and stay tuned," they invite, revealing that "a lot of fans come to our rehearsals, to get inspired themselves". The band promises to add "more content and updates to our online presence as soon as we have more material".
The stage is set for Sundo to deliver an unforgettable performance at Out of Order Vol. 5 on Thursday, September 4, 2025, at Fibber Magees Basement. Attendees can expect an evening brimming with raw energy and a unique blend of familiar and rare tracks. "We do many well known tracks that everyone knows, so sing along," the band teases, but also promises "some lesser known B-Side Bangers too, since B-sides are special too, we know they will have an impact on the audience, with our unique interpretation to them". They even plan to share a story about one of their songs, "Don’t Believe a Word," onstage.
Sundo's appearance is part of a dynamic lineup that includes Italian acoustic prog metalhead Geane, singer-songwriter Brinda, and psytrance DJB, promising a night of diverse and exciting Irish talent. Doors open at 7:30 PM, with the featured artists taking the stage from 9:00 PM until late. This is an opportunity for "Dublin live music lovers" to "discover new Irish artists before they break out" and "connect with Dublin’s music community in an intimate venue".
Do not miss one of the best live music nights in Dublin this September. Sundo embodies the spirit of grassroots music, blending global influences with an underground rock ethos that is both "loud and high energy". Experience the raw power, the collective journey, and the undeniable chemistry of Sundo live. Book your ticket, bring friends, and be part of the energy of Out of Order Vol. 5.
In the pulsating heart of Dublin’s vibrant music scene, where traditional echoes often mingle with modern alternative currents, an artist named Geane is quietly, yet powerfully, carving out a space entirely his own.
With a unique sonic signature he aptly describes as Acoustic Progressive-Metal, Geane embodies a fascinating confluence of cultural heritage, raw rock energy, and an unyielding commitment to melodic depth.
His journey, stretching from childhood stages to the intimate basements of Dublin, is a testament to the enduring spark of musical passion and the boundless possibilities when genre boundaries are not just pushed, but elegantly blurred.
Born in the UK, raised amidst the rich tapestries of Italy, and now rooted in the energetic artistic landscape of Ireland, Geane's background is as layered as his music. This geographical and cultural mosaic has profoundly shaped his artistic identity, offering him a unique lens through which to view and create sound.
"Having an English mum and Italian dad helped me to develop a deeper passion for music because I can enjoy and appreciate two completely different musical worlds and take inspiration from both of those amazing worlds," he explains, hinting at the diverse influences that would later define his distinctive style.
Long before the intricate riffs of progressive metal found their home on his acoustic guitar, the earliest glimmers of Geane’s stage presence emerged in a rather amusing, yet profoundly telling, childhood memory. "I remember being on stage at 6 years old at the local fair, lip-syncing to Eminem," Geane recounts, a vivid anecdote that perfectly captures the innocent beginnings of a lifelong devotion to performance.
"In my head I thought I was singing. Looking back at it it’s pretty funny, but also telling. That spark of being on stage and sharing music has never really faded (and I hope it doesn’t!)". This early, uninhibited joy of sharing music became a foundational element of his artistic identity, a flame that continues to burn brightly.
As he navigated his youth, Geane’s musical tastes began to sharpen, guided by the sounds that would ultimately inform his genre-defying approach. Eminem was an early, pivotal figure. "I remember seeing his music videos and thinking it was the coolest thing ever," he shares, crediting his parents for allowing him to delve into such music at a young age.
However, it was the raw emotion and intricate soundscapes of Linkin Park that truly cemented his love for heavier music. "I still remember hearing Breaking the Habit for the first time by watching a video online and I’ve been in love with them ever since," he recalls, his enthusiasm palpable.
The experience of listening to their album Meteora for the first time was nothing short of revelatory. "When I first listened to it, the intro with the glass shattering followed by Don’t Stay just blew me away. Even now, thinking about it brings back such good memories.".
The real deep dive into the metal genre, however, came with the unlikely catalyst of a video game: Guitar Hero III. "The soundtrack was packed with amazing bands like Metallica, Slayer, and Tenacious D, and I connected with it on a deeper level," Geane reveals. This digital gateway led him to a tangible world of music, inspiring him to collect CDs of classic albums and listen to them obsessively.
Such was his dedication that even his parents, initially perhaps bemused, found themselves drawn into his sonic universe, becoming fans of bands like Dream Theater and Metallica. His instrumental journey began with the acoustic guitar, transitioning to electric in his early teens, only to return to the acoustic in his late teens.
This return was a crucial moment, as he discovered a profound connection to its sound and feel, confidently asserting, "I also think that you can play Metal with an Acoustic guitar as well". This early realization was a harbinger of the unique path he was destined to forge.
While music had always been a constant companion, it was his move to Ireland that transformed it from a cherished hobby into a defining vocational pursuit. "Over the last few years, especially since moving to Ireland it's become something more than just a hobby," Geane states. He found in Ireland, and particularly in Dublin, a music scene that was not just active, but profoundly inspiring.
"The music scene in Ireland is bursting with energy, and it’s so varied you can practically listen to everything and be a part of anything here," he enthuses. The Hardcore/DIY scene in Dublin proved to be a particularly potent source of inspiration, admired for its raw attitude and dedication to the craft. "I love the attitude toward the music and the craft behind it (and the people involved are great!). Musically, there’s a space for everyone and everything," he affirms, highlighting the inclusive and dynamic nature of his adopted musical home. This environment fostered a deeper involvement than he had ever experienced before, proving to be the perfect crucible for his evolving sound.
Indeed, the Dublin scene provided the platform for what Geane considers a personal "breakthrough" moment: the open mic circuit. "Starting out here in Dublin by playing Open Mics really helped me build confidence and develop my stage presence," he reflects. These seemingly small steps were instrumental in overcoming the inherent anxieties of performance. "Every time you put yourself out there, even for just five minutes, and share a song with an audience, it can feel incredibly daunting but you need to remember that we all go through this phase and it’s really cool to be able to connect with other artists that have those same emotions that you do," he shares, underscoring the communal and supportive spirit of the underground music community.
Geane's songwriting process is less about rigid structure and more about discovery, treating each composition like a "mystery or a puzzle". He doesn’t force the narrative, preferring to let the song reveal itself. "I might start with different lyrics and melodies that, at first, don’t seem connected. But if I pay close enough attention to the signs, I sometimes stumble into a song or two," he explains.
This organic approach was perfectly exemplified in the creation of "In The Sky/Someday," a track featured on his debut EP, 1995. He recalls having disparate lyrical fragments on various pages, seemingly random sentences, until a closer look revealed hidden patterns and verses that could be woven together. "By the end of it, I had a song that I was really satisfied with," he proudly states. For Geane, songwriting is an exhilarating journey, one where he is guided by the music itself. "It almost feels like the song is guiding me through its own journey and I don’t know where the destination is until I arrive," he muses.
A cornerstone of his creative philosophy is the paramount importance of melodies. "Melodies, for me, are one of the most important parts of a song," Geane asserts. He believes a strong melody transcends language barriers and allows the music to connect universally.
"Let’s say you listen to a tune that’s not in your native tongue or you didn’t hear the words: the thing that is going to stick with you the most (in my opinion) is the melody," he argues. His aim is for his songs to be as melodic as possible, hoping that by the end of a performance, at least one or two melodies will resonate and linger with the listener.
Overcoming the twin adversaries of creative doubt and writer's block is an integral part of any artist's journey, and Geane has developed his own nuanced strategies. For creative doubts, he leverages the very community that helped him build confidence: the open mic. "I usually play a newly written song live at an Open Mic to see how the audience would react to it," he explains.
This real-time feedback loop allows him to fine-tune his work. He cites "The Red Line," an unreleased but highly anticipated track, as an example. Initially, despite feeling it was a good song, something wasn't quite clicking. After playing it live to a lukewarm reception, he went "back to the drawing board and changed some parts." The revised version garnered a "great reaction," solidifying his pride in the song.
Writer's block, he finds, requires a different approach. Sometimes, it demands a complete break, acknowledging that forcing creativity is counterproductive. "There are times where you can try as hard as you want to write music but nothing will feel natural and everything will feel forced," he observes. He sees the necessity of stepping back and recharging to allow creativity to flow naturally.
Other times, inspiration can be found in the mundane: a passage in a book, a line of dialogue in a movie, or even a daily conversation. He scribbles down intriguing words, then perhaps a rhyme, or a random riff, recording the melody as it comes to him. The key, he reiterates, is to avoid forcing the process, comparing it to tending a plant: "You can’t rush the process".
His inspirations are as eclectic as his sound. Beyond music, Geane draws heavily from real life and media, especially movies. "The Red Line," for instance, is a deeply personal and culturally rich song inspired by the Italian movie "La Chimera," which explores the themes of a grave robber living without purpose, interwoven with the storytelling prowess of Italian singer-songwriter Fabrizio De André, and Geane’s own experiences of love, feelings of not belonging, and living abroad.
The immersive experience of cinema, he notes, resonates with the shared experience of live concerts, both offering a collective journey with strangers. Even his daily ritual of caring for his plants feeds back into his art, providing a sense of relaxation and wonder in watching them grow, mirroring the organic growth of a song.
Geane’s distinctive sound, Acoustic Progressive-Metal, is a bold declaration of intent, merging the intricate complexities of progressive music with the raw power of metal, all filtered through the nuanced voice of an acoustic guitar. His influences, Father John Misty, Dream Theater, and Tenacious D, reveal a thoughtful blend of introspective folk, intricate progressive rock, and comedic metal.
What truly sets his music apart, however, is a "mix of heaviness (not usually associated with acoustic guitars) and a sprinkle of Italian Trad Music". He finds immense satisfaction in playing heavy riffs on an acoustic guitar, describing the sensation as "strange but so good".
This audacious approach was profoundly influenced by Tenacious D, who, he says, "taught me that you can play Metal even without the Electric guitar and that any song in the world that can be made acoustic, you just need to tweak it a bit". It’s this philosophy of adaptation and unexpected juxtaposition that forms the core of his artistic identity.
The thematic landscape of Geane’s lyrics often returns to the poignant theme of "missing"—be it a person or an intangible connection. He delves into the persistent ache of trying to fill an unfillable void or escape from it, concluding that sometimes, all one can do is learn to live with it. "It’s how we react to it and how we learn with it that shapes us," he reflects. Yet, his lyrical tapestry is not solely melancholic; it also explores the journey of moving on and finding the "light at the end of the tunnel". He skillfully balances these deeper messages with entertainment, primarily through his engaging stage presence and a touch of humor, ensuring that even his heaviest songs are delivered with an inviting contrast.
Among Geane’s proudest moments, recording and releasing his debut EP, 1995, stands out. Describing it as five "moody songs with catchy melodies (reminiscent of Nirvana and System Of A Down)," it marks a significant milestone in his journey. The reception to this EP, available on all major streaming platforms, has been a source of immense gratification, alongside the anticipation for his newer compositions.
Beyond his personal musical output, Geane is a proactive force within the Dublin music community. He is the visionary behind the Altcoustic Showcase, a monthly event hosted at Sin É. This platform is a conscious effort to bring together diverse artists and bands who typically play more alternative genres like Punk, Rock, and Metal, challenging them to reimagine their sound in an acoustic setting. "It’s a play on 'Alternative' and 'Acoustic' because we get artists or bands that play more Alternative music (like Punk, Rock & Metal) and see how their sound would transform in an Acoustic setting (sort of like Nirvana Unplugged)," he clarifies.
The showcase is a testament to his belief in community and the transformative power of music, driven by his passion for gathering acts, hearing new sounds, and creating "an unforgettable evening for everyone involved". Looking ahead, Geane envisions continuing these showcases, perpetually on the lookout for new bands and music, believing that constant discovery and inspiration are crucial for an artist's longevity.
His dream of headlining acoustic sets at major metal festivals like Wacken or Download speaks volumes about his ambition to bridge worlds and introduce his unique sound to a broader audience. Ultimately, his hope is simple yet profound: "I hope that they enjoy the musical ride that my music (hopefully) will take you on!".
For those eager to experience this unique blend of acoustic dexterity, progressive metal influence, and heartfelt storytelling, Geane is slated to perform at Out of Order Vol. 5. This unmissable night of open mic performances and live sets is set for Thursday, 4 September 2025, at the iconic Fibber Magees Basement in Dublin 1, presented by Tune Hoppers.
Geane’s performance promises to be a highlight of the evening. As described by the Tune Hoppers, he is an "Italian Acoustic Prog Metalhead in Dublin, blending Father John Misty, Tenacious D, and Italian folk influences. Debut EP 1995 out now".
For the audience, Geane pledges "Lots of energy, 'fun' banter (fun in quotations because it does depend from person to person) and an all round great time!". It’s an opportunity to not only witness his distinctive sound but also to engage with his engaging stage presence and sense of humor that balances the depth of his material.
A particular treat for attendees will be the chance to hear "The Red Line," a song Geane is immensely proud of, describing it as a mix of Progressive Metal and Italian Traditional Music. Inspired by the film "La Chimera," the storytelling of Fabrizio De André, and his own experiences of love and not belonging, this song is a narrative told through "actions, feelings and themes that the main character goes through". It’s a track that took him considerable effort to perfect, and it has since become one of his favorites to play live.
Out of Order Vol. 5 is more than just a gig; it's a chance to discover new Irish artists, immerse oneself in a diverse mix of genres, and connect with Dublin’s vibrant music community in an intimate venue. It’s an opportunity to be part of a grassroots movement and support local talent that is truly pushing boundaries.
Don’t miss the chance to witness Geane's unique artistry firsthand. You can find his music on all major streaming platforms by searching for "Geane." with the full stop, and his EP "1995". For updates on his journey and upcoming performances, follow his Instagram page @geane_music.
Book your ticket, bring friends, and experience the energy of Out of Order Vol. 5 at Fibber Magees. Prepare for a musical journey that is both heavy and heartfelt, a testament to an artist fearlessly carving his own path in the ever-evolving landscape of alternative music.
In the pulsating heart of Dublin’s vibrant electronic music scene, a distinct energy emanates from the DJ booth, guided by a figure known simply as DJB. More than just a performer, DJB, whose full name is Barbaro Fazio, is a true architect of psychedelic soundscapes, weaving together a narrative that spans his Sicilian roots, his adopted home in Ireland, and a profound connection to the underground ethos of psytrance. His journey is a testament to the power of musical revelation, community, and an unwavering dedication to an art form that, for him, is a way of life.
DJB’s story begins far from Dublin’s bustling streets, in the sun-drenched landscapes of Sicily where he grew up. Yet, it was in Ireland that his true calling ignited. “I’ll never forget our first tour—because…” his passion for DJing wasn't a gradual discovery but an instant, visceral connection. It happened during his first time at the Voodoo Lounge, where he encountered psytrance music for the first time. “I never heard before I came in Ireland and was love at first impression,” he recalls, a moment that fundamentally shifted his trajectory.
This wasn't merely about enjoying a new sound; it was an urgent desire to understand the music, its culture, and its origins. Fuelled by this newfound obsession, he started with the most basic tools: a laptop and a Numark controller, purchased for a mere 20 euros.
His very first forays into mixing were pragmatic and self-taught, using a Lenovo laptop, Numark Party Mix, and Serato software. This humble setup became his crucible, teaching him an invaluable lesson: “first you have to learn music all kind before buying an expensive equipment,” a philosophy he embraced wholeheartedly. He honed his craft at countless early parties—from Fibbers to raves and sound house gatherings.
The spark that truly lit his artistic fire was ignited by a pantheon of psytrance legends, including Astrix, Astral Projection, Mandala, Raja Ram, and Tristan, whom he now reveres as mentors. Beyond the beats, it was that transformative moment at 24, experiencing his first psytrance party in Ireland, that resonated deeply, making him feel “that is the music give me something more”.
DJB’s current setup reflects his evolution from those nascent beginnings, now featuring a Pioneer RX2 controller and Ableton for effects and production. His approach to preparing for a gig is as fluid and intuitive as his music itself. “Dependent on the gig I’m doing, the time the day and the location,” he explains, emphasizing that each set is a unique creation. He aims to “bring people inside my psychedelic emotion,” carefully selecting tracks based on what he wants to express and adapting to the "flow" of different times of the day. When facing unexpected moments on the dance floor, his philosophy is clear: “simple feeling what I want and people want just go forward never give up”.
His signature style is a meticulously constructed sonic journey. Every set begins with an intro that carries a message, gradually building in intensity. The middle features a "bridge of emotion vocals to let also know we are going faster," culminating in a "finish blasting home made track". Technically, he defines his sound through looping, effects, and mash-ups.
Crucially, his connection with the crowd is paramount. “I’m part of the crowd,” he states, taking time to speak with attendees before his set and observing their energy throughout. This symbiotic relationship between DJ and audience is central to his performance.
DJB’s musical compass points firmly towards Full On and Progressive psytrance, genres he champions because they make him “feel alive” and are constantly evolving through his work. His method of discovering new music is distinct; he primarily “try to create them”, and then digs for what he feels is missing. Unsurprisingly, given his deep immersion in electronic sound, he doesn’t typically draw samples or ideas from non-EDM sources like jazz or film scores.
Among his many performances, one stands out as truly unforgettable: playing at Neelix at Voodoo Lounge. He attributes its magic to “the vibes the floor and my music” coming together in perfect harmony. Remarkably, DJB shares that he has never felt a set pushed him out of his comfort zone, nor has he experienced a technical failure mid-set.
Looking ahead, his dream collaborators are his early inspirations; Tristan, Astrix, and Mandala, whom he considers his mentors. His connection with the wider DJ and producer community is organic and grounded, typically formed by “just going to parties having a chat”. The influence of his fans is deeply felt; their “vibes” and “love” for his music directly shape his selections and performance style.
Currently, DJB is immersed in his own productions, with a track titled "Psychedelic Substances" on the finishing line. His creative process is meticulous: “staying there and listen everything over and over adjust every single time till I think is done and before release i try for the floor”.
Such is his dedication that he has quit his job to focus solely on music, even opening a psychedelic clothing shop to support his artistic endeavours. "Psychedelic Substances" holds a special place, born from a night after a party with his friend Massimo, signifying an ongoing shared journey.
DJB’s vision for his dance floor is clear: he hopes people experience “love amazing vibes and psychedelic energy and emotion”. Through his sets, he aims to convey messages that can range from “rock emotion, all mash-up rock and Psy trance” to powerful statements like “stop the war or future etc in my word’s”.
He sees the role of the DJ “getting bigger and bigger”, viewing it as “a real investment”. Away from the decks, he finds inspiration and balance through raves and festivals, embracing the very culture he helps to create. Before a gig, he has a simple, profound ritual: “ask Ganesha to be ready to rock”. Post-set, he unwinds with stretching, walking, and lots of fruit.
For those looking to immerse themselves in DJB’s unique sound, an unmissable opportunity awaits. As a prominent figure in Ireland’s psytrance and underground electronic scene, with a reputation for festival sets and late-night club energy, DJB is set to perform at Out of Order Vol. 5. This event, presented by Tune Hoppers, takes place on Thursday, 4 September 2025, in the iconic Fibber Magees Basement, Dublin 1.
Attendees can anticipate a truly special set from DJB. He plans to drop his highly anticipated new track, "Psychedelic Substances," and will also be doing T-shirt or hat giveaways. This event promises a diverse mix of live music, providing an intimate setting to discover new Irish artists and connect with Dublin’s vibrant music community.
Don’t miss the chance to experience the "love amazing vibes and psychedelic energy and emotion" that DJB meticulously crafts within his sets. Follow his journey on Instagram, YouTube, and SoundCloud under @djbfazio.
Book your tickets for Out of Order Vol. 5, bring your friends, and be part of a truly electric night in Dublin's underground.
Step into the captivating world of Nathan Mac, an artist whose journey from acoustic singer-songwriter to a purveyor of "cinematic-pop magic" is as enchanting as his music itself. Far from a conventional band, Nathan Mac operates as a solo project, yet he’s surrounded by his loyal "lost boys" – Grim on drums, Ian on bass, and Jani on vocals. This unique collective has been building a distinctive sound and a dedicated following, making them one of the most intriguing emerging Irish artists on the scene today.
The moniker "Nathan Mac" is itself a tale of pragmatic advice and personal evolution. Nathan, born with the full name Donnell, opted to drop his surname after a friend’s sagacious counsel: “make it easy for them to spell”. This simplicity belies a profound artistic journey that truly began in early 2020. It was then that Nathan adopted his new stage name, serendipitously connected with a brilliant producer, and began crafting an album.
While the project is helmed by Nathan, the foundation of his live band was forged during his studies at BIMM, where he met Grim, Ian, and Jani. Their bond, as Nathan humorously puts it, was solidified by "trauma bond[ing] through our degrees".
Nathan’s own defining musical moment arrived unexpectedly, not as a band, but through a pivotal encounter that reshaped his artistic destiny. He was performing a farewell show for a friend whose café was closing, preparing to move back to Korea.
During this event, one of Nathan’s opening acts brought along a pianist. “Little did I know that he would pull me aside afterwards & suggest we work together,” Nathan recalls. At that juncture, Nathan was charting a course to become an acoustic singer-songwriter, but this fortuitous meeting steered him towards the expansive, imaginative realm of cinematic-pop.
Nathan’s roots trace back to Swords, Co. Fingal, where music was a vibrant thread in his family's tapestry. His uncle, in particular, ignited his passion for music, singing late into the night. Nathan remembers lying awake upstairs, listening through the floorboards, absorbing the "image of how wonderful music could be".
His personal musical journey began at age 10 when he picked up the guitar, driven by a desire for an electric model. His mother challenged him to learn three songs on the acoustic first, a feat he quickly achieved by mastering iconic tracks like ‘Smells Like Teen Spirit,’ ‘Come as You Are,’ and ‘Seven Nation Army’. While the guitar marked his entry, Nathan has since evolved, becoming a "piano man" around 2019.
One of the most charming and unexpected influences on Nathan Mac’s sound stems from a childhood pastime: harmonizing with the vacuum cleaner. This seemingly mundane activity shaped his approach to harmony, and for those who listen closely, a subtle "drone" can always be detected in his guitar, vocals, or synths. This anecdote perfectly encapsulates the playful yet meticulous nature of Nathan’s artistry.
The decision for Nathan to make music with a band, rather than entirely solo, wasn’t initially a choice born of preference but of necessity. He candidly admits, “I would have made my music solo if I ever had the skills to. Once upon a time I was hopeless & lost musically”.
It was the arrival of his producer, who "anchored" him and provided the skills necessary for expression, that truly enabled his vision. These days, Nathan’s desire is for everyone to "join in on the songs, to build that creative family feeling I so long for".
Several early performances stand out as significant breakthroughs for the group, even if it was just Nathan and Grim at times. The album launch, a sold-out show at Workman’s Club, was a magnificent debut not only for the album but also for the first (and only) screening of Nathan’s circus-musical film.
Another equally impactful experience was performing with the full band at the Button Factory. Nathan impressively managed to persuade the promoter and venue to allow him access to the ceiling, where he performed with an aerial rope. He describes the experience of "Singing & spinning around in the air" as "exactly as difficult & exciting as it sounds!".
Despite these triumphs, the band faces a unique challenge: fitting in. As Nathan explains, “Believe it or not, but there aren’t many places or people playing Cinematic-Pop music”. Their niche demands a dedicated approach to building their own scene, finding every single fan, and working with whatever resources are available.
The creative process for a Nathan Mac song is a meticulous journey of refinement. Nathan initiates the process by writing, then rewriting, and rewriting again, until he has a song he can play in full. He then often records a demo, shares it with his band, and importantly, releases it to his Patrons for their approval.
Only after these steps does the song reach his producer or another collaborating producer to see if it resonates with them, finally allowing the song’s full development to begin.
While it’s Nathan Mac’s name on the poster, and he views himself as the "captain of this ship," charting the course, collaboration remains vital. He constantly shares ideas with his band, who are also his friends, and they "weigh in every single time," serving as a guiding "wind".
When disagreements inevitably arise, Nathan acknowledges a certain "hierarchy". He admits it goes against his "very being" to say it, but when creative differences emerge, he listens to everyone’s input and then makes the final decision.
Describing their collective sound, Nathan Mac uses the evocative phrase: “Playful magic cosy chaos”. These four words unify their sonic identity, allowing them to embody any combination of these elements at any given moment.
Their sound is further defined by signature arrangements and production tricks. Nathan reveals they "fully abuse tremolos, vocoders, bitcrushers," and he has been progressively incorporating "glitch effects". He also humorously mentions his bandmates tease him for his distinctive ‘psskah’ sound from his song ‘Better Off Without You,’ which they now integrate into rehearsals.
Lyrically, Nathan Mac’s music is characterized by its compassionate and introspective nature. He finds himself "unable to write an antagonistic song," plagued by perspective and patience, even in breakup songs.
He explores the "struggles of being a broken person," writing about "broken people," love, longing, and, more recently, loss. There's also an unconscious recurring theme of the moon and stars in his recent work, the meaning of which he muses, "only Carl Jung could have told me".
The influences on Nathan Mac’s sound are diverse and rich.
Nathan himself "bombard[s] everyone" with artists like Imogen Heap, Chien Noir, and Utada Hikaru, while others like Caroline Polachek make their way into the band’s collective inspiration from other members. Beyond music, Nathan’s work draws heavily from magical and utopian thinkers.
He finds deep inspiration in figures such as Jim Henson, Hayao Miyazaki, and Khalil Gibran, who encourage him to seek deeper meaning in life. An intensely hopeful and utopian thinker, Nathan is particularly fired up by the subculture of Solarpunk – a creative and political movement that champions the "symbiosis of nature & tech," a dream he finds worth fighting for.
For Nathan Mac, the proudest moments are not single events but a recurring feeling after every performance. In those few minutes post-show, he is "blind to all criticism, doubt, & fear," a powerful validation that transcends the specifics of any given night. However, a clear turning point for the band came with his first release, ‘Better Off Without You’.
Before this track, Nathan was primarily an acoustic singer-songwriter, and the shift in sound caught many by surprise. He acknowledges leaving behind some fans, collaborators, and open mic nights, but views it as an inevitable part of "growing & changing".
Like any artist, Nathan Mac has faced setbacks. He notes that "the latest rejection is always the hardest," accumulating heavily over the years. The most significant recent blow was the rejection from this year’s Ireland Music Week application, a showcase that "really would have given us a huge boost out of here".
Looking to future collaborations, Nathan, an ex-circus and theatre enthusiast, dreams of working with artists in that world. Topping his list is Yoann Bourgeois, a space and movement director who has worked with acclaimed artists like Harry Styles and P!nk. Nathan’s ambition is to create a concert under Bourgeois’s guidance, envisioning a spectacle of music, circus, and visual storytelling.
Nathan actively engages with his local music community, often acting as an "agony aunt," listening to and guiding other musicians, leveraging the "fair amount of knowhow" gained from his three-year music business degree.
He admits it’s a "struggle to avoid managing other artists’ careers". Online, he extends the same helpful approach. Interestingly, his Patrons play a unique role: they grant him "full creative freedom to make whatever I want," simply wanting to see him create.
Currently, Nathan Mac is immersed in a flurry of activity. While another album is a long-term commitment, he has "about 7 irons in the fire," with each song having artwork, music videos, and release plans in motion, promising a very busy second half of the year. Looking five years ahead, Nathan hopes simply "to still be here."
He acknowledges the precarious nature of an artist’s career, stating, "Being poor & a creative is not a sustainable lifestyle". Sonically, he’s excited about the present and believes tomorrow’s excitement will come when it arrives. When asked about dream venues, he names The Met Opera House in New York and The Hamburg Kunsthalle as places where he could bring his vision of a "beautiful spectacle... full of music, circus, & visual storytelling".
The collective message Nathan Mac hopes to convey through his music is one of enduring magic. He believes that "the world has magic where you look for it," and that "despite the depression & oppression everywhere, there will always be magic". While explicit political causes aren’t directly built into the music, their core message is an internal one of "compassion to oneself & others".
Furthermore, his storytelling is consciously set within a Solarpunk world, emphasizing "a world of nature, tech, & hope". Nathan notes that he has consciously "sacrificed my politics for my creativity" over the years, having previously pursued a more commercial pop songwriter path. He views his daily interactions, thoughts, and conversations, as a form of "resistance to what’s expected from us," accepting that his political beliefs don’t explicitly manifest in his art.
Beyond the stage and studio, Nathan Mac's passions deeply infuse his artistry. He identifies as a storyteller in his personal life, obsesses over tea and coffee, and was once a professional circus performer. These elements directly work their way into his music and performances; he now integrates circus into his shows, the imagery of tea and coffee into his songs, and storytelling underpins all his creative decisions.
The band shares a unique pre-show ritual: a Māori greeting called the Hongi, where they press foreheads together and share a few breaths, breathing in sync to unite them for the performance. After intense shows or studio sessions, Nathan decompresses by sitting in Dublin’s cafes, usually alone with his journal or a book.
For an upcoming show, audiences can anticipate a true spectacle, with Nathan hinting at "magical tricks & visuals on stage" should their luck hold out. Each song comes with its own story, not always Nathan’s own. He shares an example: 'Deirdre of the Sorrows,' an ancient Irish myth from the Ulster cycle, which he condensed from a three-hour epic into a four-minute song about a young girl "cursed by beauty & patriarchal oppression," who finds her only defiant option in ending her own life. It’s a powerful narrative Nathan believes "we should all know".
Fans eager to stay connected with Nathan Mac and his unique blend of cinematic-pop magic can find him on YouTube, Patreon, and his Mailing List, as he has chosen to step away from Instagram and TikTok. He also proudly points to his website as "a masterpiece & one of my best works of art to date!".
Catch Nathan Mac Live at Out of Order – Vol. 4
For those eager to experience this captivating artist and his "lost boys" firsthand, don't miss Nathan Mac live at Out of Order – Vol. 4. This is a fantastic opportunity to witness one of the most exciting emerging Irish artists performing their unique cinematic-pop sound in Dublin.
On Thursday, July 17th, Nathan Mac will be performing at Out of Order – Vol. 4 at Fibber Magees Basement, Dublin, as part of a powerful night of live music and creative energy. Doors open at 8:00 PM with an open mic hour, followed by feature sets from a diverse lineup of exciting performers. This is certainly one of the must-see July 2025 music events.
Tickets: General Admission – €10
DISCOUNT CODE: NATHANMAC (€2 OFF)
Nathan Mac offers an unparalleled blend of thoughtful storytelling, innovative soundscapes, and a truly magical stage presence, promising an experience that transcends typical live music in Dublin.
His dedication to building his own scene and his unique creative vision make every performance an event. Come and witness the "playful magic cosy chaos" that is Nathan Mac; it’s an opportunity you won’t want to miss!